Tim Head's work is about instability and uncertainty: of images, of perception and of the individual's relationship with the wider world. Over the past forty years he has developed a considerable body of work in an extraordinary range of media – including installations, photography, paintings and now digital media – guided and underpinned by a consistent set of concerns. His work represents an interrogation of contemporary reality.
Tim Head studied with Richard Hamilton at the University
of Newcastle-upon-Tyne 1965-69 and then with Barry Flanagan at St Martin’s in London 1969-70. In 1968 he spent a year in New York working as assistant to Claes Oldenburg and meeting leading figures in the Conceptual Art movement, including Robert Smithson and Sol Lewitt. In 1971 he worked as an assistant to Robert Morris. Since 1971 Head has been an influential teacher at both Goldsmiths and the Slade in London.
Head first came to prominence in the early 1970s with a series
of ground-breaking installations at the Museum of Modern
Art, Oxford (1972), the Whitechapel Art Gallery (1974) and participation in important group shows including the 8th Paris Biennale, Musee D'Art Moderne de la Ville de Paris (1973),
Arte Inglese Oggi, Palazzo Reale, Milan (1976) and Documenta 6, Kassel (1977). Head represented Great Britain at the Venice Biennale in 1980.
Since the 1990s Head has developed an innovative and important body of work focussed on an exploration of digital space. This new work uses projections LCD displays and inkjet prints to articulate 'the digital medium's elusive material substance'.
Head has stripped back the screen image, the computer programme and the digital print to their ubiquitous basic constituents – the pixel, the coded instruction and the inkjet
dot – and uses them to construct works that reveal the illusory quality of this digital dimension.
The work focuses on the digital medium's elusive material substance and on our evolving relationship to it as a physical entity. It uses the medium's physical characteristics that make
it uniquely different from other media. Bypassing its usual role of representing images and texts, the work deals directly with
its basic material elements - the luminous fabric of pixels on
a screen or digital projection, the flurry of microscopic ink droplets laid down by the inkjet printer, and the hidden real time calculations of the computer operating at ultra fast speeds that drive these elements. The medium's underlying material substance is exposed, moving it out from its usual confinement in virtual space towards the same physical space that we ourselves occupy.
The works that these processes produce are surprisingly beautiful, at once visually seductive and conceptually rigorous. Moreover, they represent a continuation of concerns that have preoccupied Head since his earliest exhibitions, an investigation of reality and perception. As Michael Bracewell recently wrote, 'The art of Tim Head has long made articulate the curious yet forcefully real schisms which exist between the techno-materiality of the modern world and our experience of its constitution.'
Tim Head has exhibited internationally since 1972. Notable solo exhibitions include the British Pavilion at the Venice Biennale (1980), ICA, London (1985), Whitechapel Art Gallery (1992), Kunstverein Frieburg (1995), Huddersfield Art Gallery (2009), Kettle’s Yard, Cambridge (2010) and Modern Art Oxford (2013). Recent important group exhibitions include The Indiscipline of Painting, Tate St Ives, (2011), Signs of a Struggle: Photography in the Wake of Post Modernism, V&A, London (2011), the Lyon Biennale (2003) and Days Like These, Tate Britain, London (2003). Head’s work is in important international collections including Tate, London, Arts Council Collection, London, British Museum, London and the Solomon R Guggenheim Museum, New York.
28 November 2014 – 24 January 2015
Selected Works See All
Tim Head, Fictions 1, 2013-14. Unique inkjet print on Dibond. 250 x 125 cm.
Tim Head, Solaris 1, 2013-14. Unique inkjet print on Dibond. 120 x 120 cm.
Tim Head, Cluster 1, 2013-14. Unique inkjet print on Dibond. 142 x 142 cm.
Tim Head, Alphaville 3, 2013-14. Unique inkjet print on Dibond. 100 x 100 cm.
Tim Head, Arabesque 2, 2013-14. Unique inkjet print on Dibond. 150 x 150 cm.
Tim Head, Amazona 1, 2013-14. Unique inkjet print on Dibond. 350 x 150 cm.
Tim Head, Vacuum 1, 2013-14. Unique inkjet print on Dibond. 205 x 105 cm.
Tim Head, Libra, 2012. Digital inkjet print on paper. 222 x 122 cm.
Tim Head, Dust Flowers 2, 2009. Digital inkjet print on paper. 97.5 x 97.5 cm.
Tim Head, Scent (detail), 2009. Digital projection from real time computer program. 360 x 480 cm.
Tim Head, Industrial Hole 1, 1997. Cibachrome photograph. 46.8 x 604 cm.
Tim Head, Thirteen Most Wanted no. 1, 1992. Ink on canvas. 240.5 x 300 cm.
Tim Head, Petrochemicaland III, 1991. Cibachrome photograph. 122 x 152 cm.
Tim Head, Nuclear Velvet 11, 1989. Acrylic on canvas. 198 x 243.8 cm.
Tim Head, Golden Nuggets, 1987. Acrylic on canvas.
Tim Head, Winter, 1984. Installation.
© Parafin Ltd. 2016