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Exhibitions — 2021
Hynek Martinec
Will and Representation
26 November 2021 – 12 February 2022
Hynek Martinec
Will and Representation
Installation view
Photo: Peter Mallet
Hynek Martinec
Will and Representation
Installation view
Photo: Peter Mallet
Hynek Martinec
Will and Representation
Installation view
Photo: Peter Mallet
Hynek Martinec
Will and Representation
Installation view
Photo: Peter Mallet
Hynek Martinec
Will and Representation
Installation view
Photo: Peter Mallet
Hynek Martinec
Will and Representation
Installation view
Photo: Peter Mallet
Hynek Martinec
Will and Representation
Installation view
Photo: Peter Mallet
Hynek Martinec
Will and Representation
Installation view
Photo: Peter Mallet
Hynek Martinec
Will and Representation
Installation view
Photo: Peter Mallet
Hynek Martinec
Will and Representation
Installation view
Photo: Peter Mallet
Hynek Martinec
Will and Representation
Installation view
Photo: Peter Mallet
Hynek Martinec
Will and Representation
Installation view
Photo: Peter Mallet
Hynek Martinec
Will and Representation
Installation view
Photo: Peter Mallet
Hynek Martinec
Will and Representation
Installation view
Photo: Peter Mallet
Hynek Martinec
Will and Representation
Installation view
Photo: Peter Mallet
Hynek Martinec
Will and Representation
Installation view
Photo: Peter Mallet
Hynek Martinec
Will and Representation
Installation view
Photo: Peter Mallet
Hynek Martinec
Will and Representation
Installation view
Photo: Peter Mallet
Introduction
Press Release (PDF)
Parafin is delighted to announce an exhibition of new works by Hynek Martinec. It will be the artist’s third exhibition with the gallery and his first since his landmark solo show at the National Gallery in Prague in 2018.
It is with parodic timing that Martinec draws our attention to Schopenhauer. By referencing ‘The World As Will And Representation’ (1818) – a pithy, disillusioning philosophy – Martinec is not attempting to align himself with the philosopher himself, or the other artists and writers in his wake but he is drawing our attention to an experience of disillusionment, a feeling that may be especially resonant now. This has set the scene for Martinec to borrow from Schopenhauer’s witty, negative perspective, considered to be so derisive it is almost optimistic.
In 2019 Martinec worked with live models, directing and photographing a series of tableaux which, during the pandemic, formed the basis for his new paintings. This exhibition introduces some significant developments within Martinec’s practice. While reflecting Martinec's technical mastery and his ongoing use of photorealist techniques, in a striking formal development and in contrast to his first two exhibitions at the gallery, which featured monochrome and grisaille works, Martinec’s vibrant new paintings are rich with theatrical colour, satirical objects and individuals.
Martinec’s new works continue his fascination with his use of mythic stories and images from the past as tools with which to speak about the present moment. Saint Rosalia (2020) is titled for a saint who has historically been invoked in times of plague; Addressing this moment in time, Deepfake (2020) refers to a contemporary culture of fake or manipulated images; Don Quixote (2020) depicts the deluded Spanish nobleman in contemporary dress, both blind and apparently contemplating a pink skull – actually a wax candle; Tristan and Isolde (2021), after Wagner’s opera where Isolde chooses to submit to death rather than departing from Tristan. Taken together these works seem to portray a world in which reality is unreliable and untenable.
A pink skull recurs in a number of the works in the exhibition, becoming an uncanny leitmotif for both mortality and unreality. You Will Bury Me (2021), which is the most recent work in the show, is an image of innocence and will. It depicts a young girl lying with her eyes closed in bliss as she daydreams amidst her toys, which range jarringly from a unicorn to a gun; nearby, a pink skull sits on a table, a classic memento mori defamiliarised by its puce colouration.
In addition to the new paintings, in Parafin’s lower gallery Martinec will for the first time create an installation titled ‘The Dance of Dreams’, in reference to Holbein’s satirical series ‘The Dance of Death’ (1523-26) after the late-medieval allegory danse macabre. He maintains a daily practice of recording his dreams from the night before. Striving to reach the unconscious mind, he questions whether we really can consider the human will as our one window to the world behind the representation.
The exhibition will be accompanied by a fully illustrated catalogue featuring a new text by Tom Morton.
Selected Works
Hynek Martinec
You Will Bury Me, 2021
Oil on canvas
200 × 200 cm
PFN02589
Hynek Martinec
Will and Representation, 2021
Oil on canvas
80 × 100 cm
PFN02588
Hynek Martinec
Tristan and Isolde, 2021
Oil on canvas
60 × 60 cm
PFN02587
Hynek Martinec
End of the Road, 2020
Oil on canvas
35 × 40 cm
PFN022469
Hynek Martinec
Lockdown I, 2021
Oil on canvas
40 × 35 cm
PFN02467
Hynek Martinec
Lockdown II, 2021
Oil on canvas
40 × 35 cm
PFN02466
Hynek Martinec
William Blake 1827, 2021
Oil on canvas
40 × 35 cm
PFN02464
Hynek Martinec
Cancel Culture, 2021
Oil on canvas
40 × 35 cm
PFN02463
Hynek Martinec
Pygmalion and Galatea II, 2020
Oil on canvas
40 × 35 cm
PFN02462
Hynek Martinec
Don Quixote, 2020
Oil on canvas
240 × 170 cm
PFN02384
Hynek Martinec
Saint Rosalia , 2020
Oil on canvas
240 × 170 cm
PFN02383
Hynek Martinec
Deepfake, 2020
Oil on canvas
240 × 170 cm
PFN02376
Hynek Martinec
Pygmalion and Galatea, 2019
Oil on canvas
240 × 170 cm
PFN02374
Hynek Martinec
Motherhood I, 2019-20
Oil on canvas
40 × 35 cm
PFN02085
Hynek Martinec
Study, 2020-21
Ink on paper
57 × 75 cm
PFN02468
Biography
Hynek Martinec (born Broumov, Czech Republic, 1980) lives and works in London and has exhibited extensively internationally. Recent solo exhibitions include ‘Voyage to Iceland’, National Gallery, Prague (2018), Galerie Dum, Broumov (2018), Parafin, London (2017, 2014), ‘Hybrid’, The Factory, London (2016) and ‘Intellectual Properties’, Vaclav Spala Gallery, Prague (2015). Important recent group exhibitions include ‘Vanitas’, DOX Centre for Contemporary Art, Prague (2021), ‘The Will To Power’, ASC Gallery, London, (2021), ‘Inspiration – Iconic Works’, Nationalmuseum, Stockholm (2019) and Ateneum, Finnish National Gallery, Helsinki (2020), ‘Fascination with Reality’, Olomouc Museum of Modern Art (2017), John Moores Painting Prize, Walker Art Gallery, Liverpool (2014), ‘Beyond Reality: British Painting Today’, Galerie Rudolfinium, Prague (2012) and the Prague Biennial (2009). Martinec’s work is in private collections internationally and in public collections including the National Gallery, Prague and the British Museum, London.
Publications
Hynek Martinec: Will and Representation
Published by Parafin
Essay by Tom Morton
Design by Matt Watkins
2022. 52 pp., 43 ills., 32 × 25 cm
Softback
£15.00 + P&P
© Parafin Ltd 2021